With a foot-tapping score, A Nashville Wish is a classic family watch that delivers exactly what it promises — a high school romance with some country music.

In a small town in West Virginia, high school senior Tucker (Maxfield Camp) has big dreams to travel to Nashville and cement his career as a country music star with his best friend Chewie (Fletcher Olson) after graduation. He falls in love with the beautiful cheerleader Lisa (Kaileigh Bullard), and she’s smitten by him as well after a serendipitous event at a concert where their favorite artist Cassie Jo Campbell (Alexis Gomez) is playing. There’s just one problem — Lisa comes from a wealthy family who owns a prominent business in town, and her parents won’t let her go to Nashville with Tucker. Lisa defies her parents, and all is set. But in a conveniently-timed scene, right before they leave for Nashville, Chewie tells her that she will ruin Tucker’s chances of becoming a star and convinces her to dump Tucker and stay home. Now Tucker is heartbroken in Nashville, and Lisa is heartbroken in West Virginia. Viewers will see how the two get back together — if at all — and the role Cassie Jo Campbell plays in Tucker’s life.

There’s no diving deep into emotions, psyche, or similar here; A Nashville Wish is among the leagues of Hallmark-esque films releasing each year, which is perfectly fine. It works as good, clean family entertainment. The acting is passable, with Camp and Olson, ironically enough, having the best chemistry with one another. A couple scenes are interestingly staged, including a musical interlude where Tucker and Lisa are in the middle of a field alone…except for a truck full of singers behind them. The cinematography is good, though, with lots of medium shots and closeups that squeeze as much emotion out of the script as possible. The music is the most striking element, as it should be in a country music-centric film. Admittedly, I’m not a country connoisseur, but the songs are amazing, both in terms of the vocals and production quality. Lee Greenwood is the most recognizable voice as Grandpa Woods. T. Graham Brown sings a country and gospel song, and the film leads Maxfield Camp, Kaileigh Bullard, and Alexis Gomez do as well.

A Nashville Wish promotes following your passion and finding a balance between personal and professional aspirations by focusing on the professional first, and then letting the personal fall into place.

I give A Nashville Wish 4 out of 5 stars and recommend it for ages 8 to 18 plus adults. You can watch A Nashville Wish in theaters beginning February 2, 2024, and on video on demand beginning February 27, 2024. https://youtu.be/70iSlw8ARtU

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A leisurely, luminous portrait of love, culture and cuisine, The Taste of Things is a feast for the eyes. It’s all about partnership through a shared passion, conveying feelings through fewer words and baked Alaska. With such deep themes and beautiful visuals, no wonder it’s France’s selection for this year’s Academy Awards.

The Taste of Things is a tough movie to summarize. It’s about so much more than its plot… but here goes. The film takes place entirely in a 19th century French manor, mostly in its warmly-lit, wood-accented kitchen and centers on the bonds between the characters. Dodin Bouffant (Benoit Magimel), an esteemed gourmet partly based on real-life gastronome Jean Brillat-Savarin, oversees the meal, helps with the cooking and visits with his group of friends. His partner in the kitchen, Eugenie (Juliette Binoche), beams as she whips up dozens of French culinary marvels. They have two assistants, who seem more like daughters, the teen Violette (Galatea Bellugi) and her niece Pauline (Bonnie Chagneau-Ravoire). This scene unfolds each day for years. The film follows Dodin’s and Eugenie’s romance as it evolves from unspoken partnership to marriage to separation by illness, as well as how the younger members of the kitchen grow.

Director Tran Anh Hung opens The Taste of Things with a 38-minute long tracking-shot scene of the characters preparing an intricate meal with zero technology (it is the 1880s, after all), relishing every step of the way. I found it so satisfying to watch that I didn’t pay any heed to its length, though this may not be the case for some viewers, as the only lines said are “Put the veal in the oven” and a couple directions like this. I actually enjoyed getting to know the characters by watching what they do and observing their body language. There’s many more scenes like this one, none 38 minutes long, though. The film does have a bit of a languid pace, which takes some getting used to and might not suit some viewers’ taste (pun intended). The few events that happen outside the kitchen happen either in the bedroom, in the living room or the adjacent garden. On another note, Dodin and Eugenie’s relationship is a centerpiece of this film, and Magimel and Binoche as Dodin and Eugenie spellbind with their subtle yet powerful acting and palpable bond. Dodin has proposed to Eugénie a number of times over their 20 years together, to no avail. She says marriage is not right for them, because their bond is one of mutual respect and tenderness. The openness with which they discuss love is rare in modern films, as is their clarity on the matter — truly a mature romance. Additionally, the interactions between Binoche and Chagneau-Ravoire as Pauline are a delight to watch. Pauline’s passion for food is shown in a scene where she names each of the two dozen items in a dish and when she nearly cries after tasting a baked Alaska; Eugenie sees herself in the young girl and takes her under her wing. Jonathan Ricquebourg’s mouth-watering and skillful cinematography — tracking people as if walking beside them, sometimes peering into pots, and sitting at the same table as Dodin’s “suite” of friends — along with Tran Anh Huang's careful direction adds an indescribable realism to the film. It’s a film that will make you hunger for more.

The Taste of Things is a film about indulgence — in food, in love, in family. It also shows viewers that truly powerful relationships are those that transcend labels and that are bound by shared love for one another and, in this case, a shared passion. It shows viewers that food is inextricably tied to love, life and joy. Be forewarned that the film does contain scenes with partial nudity and smoking.

I give The Taste of Things 4 out of 5 stars and recommend it for ages 12 to 18, plus adults. The Taste of Things releases on February 9, 2024 in theaters and is an Oscar nominee. https://youtu.be/lZ7Y0PT-yTg

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With compelling performances, strong cinematography, and a narrative laden with tension and dark humor, The Teacher’s Lounge is an insightful parable on modern society, told completely from within the four walls of a German school. It makes sense why this schoolhouse thriller — if you will — is Germany’s submission to the Academy Awards.
The Teacher’s Lounge centers around the idealistic teacher Ms. Carla Nowak (Leonie Benesch) and her seventh-grade class; the students are at the center of an investigation into a series of thefts. One of Ms. Nowak’s students, Ali (Can Rodenbostel) is suspected by all his classmates and by some faculty members. After Ali’s parents, Turkish immigrants, provide a plausible explanation and express their belief that these allegations have racist undertones, Ms. Nowak grows increasingly dismayed with her colleagues and class and more and more convinced of Ali’s innocence. Ms. Nowak resolves to set up a sting operation, which ends up implicating the school administrator, Ms. Kuhn, and complicating matters further. How she navigates a school turned against her is the focus of the remainder of the film.

Director and former Student Academy Award-winner Ilker Catak crafts a tense, suspenseful drama laden with hopes, expectations, secrets, and baggage. In The Teacher’s Lounge, Catak uses allegory intelligently — so intelligently that it sends a shiver down your spine. The accusations against Ali connect to racism against Turkish immigrants in Germany (and against minorities worldwide), the teachers’ zero-tolerance policy and repeated frisking of students echoes a repressive police force, and rumors about the culprit fly around with as much speed as misinformation in the real world, propelled by sensationalized and slanted journalism. Most importantly, the students are the young activists, organizing, fighting back, and standing in solidarity against the established order. The uneasy friction between the empowered and the disempowered goes beyond a school theft scandal and reflects the ongoing struggles in our world. His experience as a Turkish-German adds pathos to the plot points about Ali, which was
one of my favorite sequences in the film despite its brevity. All in all, the story flows well.

The film's somewhat absurd “it is what you make of it” ending won’t satisfy all. It seems the writers had the first two acts down but struggled to pen the third one while sticking to the idealism of Ms. Nowak — after all, for how long can you keep truth and ethics debatable? But when you look at the film as a whole, it’s an effective, intense piece on our world and leaves us agreeing that our math class experiences likely weren’t this stressful. The Teacher’s Lounge is anchored by Leonie Benesch as Carla Nowak. She hits all the right notes with her mix of goodwill, suspicion, and heartbreaking frustration. Benesch lets Carla be the highly empathetic and slightly maddening and flawed woman she is, and in the end, we admire her, with undertones of fear for her future. Leonard Stettnisch, as Ms. Kuhn’s son Leo, also strikes a chord with viewers as a son desperate to prove his mother’s innocence, come what may. And a final technical note — Judith Kaufmann’s cinematography grows colder and more jagged as tension builds throughout the film and seems to emphasize realism over utter beauty; it works perfectly for this film.

The Teacher’s Lounge has a lot to say. It comments on how our biases impact the
administration of justice. It promotes free speech and speaking out against objectionable acts while also calling out structures of authority for bureaucracy and brutality. The most complex message in The Teacher’s Lounge, though, is the one around idealism. Depending on how you see Benesch’s performance, the film either pities idealists or laughs at them as their idea of the world’s goodness crumbles around them.

I give The Teacher’s Lounge 4.5 out of 5 stars and recommend it for ages 12 to 18 plus adults. The Teacher’s Lounge opens in theaters in Atlanta on February 9, 2024. https://youtu.be/8ljewLqPdXo

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Masters of the Air is exactly the kind of masterpiece viewers expect from the dynamic duo of Steven Spielberg and Tom Hanks. Perfect for fans of war dramas, Masters of the Air has the rich plotline and sky-high production quality to not only entertain, but even educate its viewers; it’s a shame that the pacing lets the magnificent series down slightly.

Adapted from Donald L. Miller's book of the same name, Masters of the Air presents in nine episodes the story of eleven men who, in a plane called the "Flying Fortress," battle flocks of German fighters. These men were a part of the 100th Bombardment Group of the US Army Air Forces in World War II, nicknamed the "Bloody Hundredth," due to the heavy losses they suffered over the course of their campaigns. They embark on a scintillating journey as they work to destroy Hitler’s Third Reich. It’s truly a momentous story.

Both Band of Brothers and The Pacific, the films that Masters of Air is linked with (it provides the Air Force narrative to supplement their stories of terrestrial and naval warfare) are well-known for their incredible visuals and CGI. Masters of Air is no different; the midair combat is almost dizzyingly realistic, the sets are stunningly crafted, and every character’s look is intricately pieced together. The series warrants a theater experience, which viewers unfortunately won’t get. These amazing VFX are thanks to the high production budget of the film — between $200 million and $250 million. The series also has some incredible talent behind it, though; Austin Butler, who plays Major Gale Cleven, and Barry Keoghan, who plays Lt. Curtis Biddick, headline Masters of the Air, and their brotherhood and bond is palpable. Their storyline becomes especially strong after an unfortunate turn of events when they're taken as prisoners of war. The only knock on Masters of the Air is its pacing; every episode feels lengthy, but the first two episodes are especially rough. It was tough to sit and wait for the plot to get moving, though there are combat scenes after the first half-hour of episode 1. I suppose it took me some time to get used to Cary Joji Fukunaga's style of direction, though he ensures that every part of each scene he films has not a hair out of place, which is commendable.

Masters of the Air is a lesson in patriotism, courage and resilience. The men of the show stick together even when death is at their doorstep — not just for their own pride or sanity, but more importantly, for their country.

I give Masters of the Air 4 out of 5 stars and recommend it for ages 12 to 18, plus adults. The first two episodes of this miniseries will release on Apple TV+ on January 26, 2024. New episodes will be released every Friday thereafter through March 15.

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Freud’s Last Session, constrained by uninspired performances and a winding script, struggles to be more than a talkative, egoistic battle of wits. I left the film with a feeling as drab and gray as the cinematography.

The convoluted and unproductive debate is set in an air raid, siren-filled London, as England has just entered World War II and everyone is antsy waiting for the first bombs to reach the Isles. The great psychoanalyst and proud atheist Sigmund Freud (Anthony Hopkins) sits in his dark home as the film opens. He’s cynical and irritable as ever, in throbbing pain from oral cancer. Despite this, the 83-year-old seems to have the time for a chat with Christian apologist and soon-to-be illustrious author CS Lewis (Matthew Goode), who shows up late and uneasy from Oxford. The two, whose ideas are diametrically opposed, chat about everything from the existence of God to sexuality to past trauma. In the end, they reach an unsatisfying stalemate, which makes the conversation in Freud’s Last Session feel like two people who think they’re geniuses talking in circles…only to walk away without a resolution.

The premise of the film is fictional; a note that Freud met an unnamed Oxford don three weeks prior to his death is its factual jumping-off point. So take everything said and done in the film as realistic historical fiction. The conversation held by both characters lacks rhythm (only worsened by the flashbacks cut into the film and a few scenes where the two hide in a bunker together). I will say that the film has its insightful moments. Freud’s proud atheism and Lewis’ belief in a Christian God clash, but they also reveal key details about their lives, hypocrisies, and flaws. And of course the entire chat is a reminder of our mortality. Hopkins’ character seems to always be dominating Goode, but at least the content of Freud’s dialogue is rich. It’s a shame that Anthony Hopkins delivers a rather uninspired performance, not even attempting to shed his British accent for Freud's Austrian and instead peppering a few German phrases into his lines. Matthew Goode’s portrayal of Lewis is actually rather skillful; it’s a shame that screenwriters Mark St. Germain and Matthew Brown (also the director) limit his character. The side plots are more interesting. Sigmund’s daughter, Anna Freud (Liv Lisa Fries), has the best dialogue of the secondary characters. Anna faces her extreme devotion to her father, has some concerning fantasies that touch on her interest in studying sadomasochism, and introduces her lesbian lover, Dorothy Tiffany Burlingham (Jodi Balfour), to her father. Fries also plays the character with conviction (she actually has a German accent). One might forget that Freud’s Last Session has a cinematographer, since everything is so gray, shadowy, and dull. One wishes there was something bright — or even sepia-toned — to offset the heaviness of the topics being discussed. The ghostly pallor of the film made me wonder why Brown didn’t go for black-and-white. Granted, the film has a handful of artful shots, mainly toward the end, but nothing spectacular for the majority of its 108-minute duration.

Freud’s Last Session promotes healthy debate, respecting our differences and being inquisitive about our world. There is much mention of sexuality, religion, atheism and death. The two philosophers debate whether Freud’s daughter Anna’s lesbianism comes from her attachment to him and whether it is or isn’t a sin. Drugs are also mentioned. Freud is battling oral cancer and, in between drags of his cigar, takes morphine mixed with whiskey (so I suppose we should marvel that he can think clearly at all during his debate with Lewis). And in the lone bloody scene in the film, CS Lewis reaches into Freud's mouth and pulls out a prosthesis; there’s nothing gory shown, but Freud’s reaction and the act itself is enough to make you shudder.

I give Freud’s Last Session 3 out of 5 stars and recommend it for ages 12 to 18, plus adults. Freud’s Last Session releases in theaters on January 19, 2024.

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Eshaan M. interviews Danny Wu, director of American: An Odyssey to 1947. During the pandemic, Wu stayed in Chengdu, China with his family and created a 22 minute short program titled “My Life in China during the Pandemic," subsequently broadcast by CNN affiliate N1. American: An Odyssey to 1947 is Wu's first film to enter the film festival circuit.

With vivid interviews and b-roll to complement its engaging narrative, American: An Odyssey to 1947 had me glued to the screen and enhanced my understanding of a transformative era in American history.

The film takes viewers through the first half of the 20th century, following stories as diverse as Citizen Kane star Orson Welles rising to fame, to FDR shaking up politics, to Japanese citizens being shipped to internment camps. Things students might yawn at in class — the makeup of the Northern and Southern Democratic party, for example — are made captivating as they’re examined through different lenses, including seeing mid-century politics through the shifting relationship of media magnate William Randolph Hearst and FDR. Thanks to its detailed, well-paced interviews and high-quality photos and videos, American: An Odyssey to 1947 seems destined not for a history classroom but for the silver screen. It might take some time to get used to the multiple narratives being presented, as there isn’t much of a transition between them, but viewers can be assured that all becomes clear within the first thirty minutes. The cinematography is clean and clear, as is the soundtrack. My favorite part of the editing is the interspersal of archival interview footage from Orson Welles and others from the 20th century, as well as the somewhat-experimental initial and final sequences shot in black-and-white.

American: An Odyssey to 1947 promotes patriotism, but als o suggests there’s more to American identity than meets the eye — some bad and some good. The film is all about looking back at our experiences and doing better going forward.

American: An Odyssey to 1947 gets 5 stars out of 5 from me and I recommend it for ages 12 to 18, plus adults. The film opens in select theaters beginning September 8, 2023 in New York City and releases on digital platforms September 12, 2023. https://youtu.be/AsfDRxbChGA

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With vivid interviews and b-roll to complement its engaging narrative, American: An Odyssey to 1947 had me glued to the screen and enhanced my understanding of a transformative era in American history.

The film takes viewers through the first half of the 20th century, following stories as diverse as Citizen Kane star Orson Welles rising to fame, to FDR shaking up politics, to Japanese citizens being shipped to internment camps. Things students might yawn at in class — the makeup of the Northern and Southern Democratic party, for example — are made captivating as they’re examined through different lenses, including seeing mid-century politics through the shifting relationship of media magnate William Randolph Hearst and FDR. Thanks to its detailed, well-paced interviews and high-quality photos and videos, American: An Odyssey to 1947 seems destined not for a history classroom but for the silver screen. It might take some time to get used to the multiple narratives being presented, as there isn’t much of a transition between them, but viewers can be assured that all becomes clear within the first thirty minutes. The cinematography is clean and clear, as is the soundtrack. My favorite part of the editing is the interspersment of archival interview footage from Orson Welles and others from the 20th century, as well as the somewhat-experimental initial and final sequences shot in black-and-white.

American: An Odyssey to 1947 promotes patriotism, but als o suggests there’s more to American identity than meets the eye — some bad and some good. The film is all about looking back at our experiences and doing better going forward.

American: An Odyssey to 1947 gets 5 stars out of 5 from me and I recommend it for ages 12 to 18, plus adults. The film opens in select theaters beginning September 8, 2023 in New York City and releases on digital platforms September 12, 2023. https://youtu.be/JD-e8pEZdZE

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Ammu’s Treasures is great for young kids looking for auditory entertainment; with pop songs, poems, Vedic chants, and more, listeners will have more than enough to be transported to a whole new musical world.

Ammu’s Treasures is a three-volume omnibus of 35 songs and 21 chants compiled by renowned musician Chandrika Tandon. The album features many maestros including Cyro Baptista, Martin Bejerano, Rakesh Chaurasia, the Czech National Symphony Orchestra and more.

Ammu’s Treasures is beautifully composed, with each piece clearly having hours of thought behind its instrumentals, vocals and mixing. Plus, the accompanying lyric videos by Marc Lumer and Bob Spang are vibrant and enjoyable. The album was conceptualized by Tandon as a gift to her grandchildren, and it’s evident that she painstakingly pieced together the motley array of songs in the album; I’ll admit that the mix of pop songs, nursery rhymes, chants and instrumental pieces took me by surprise at the beginning, but only those who actually listen to the songs will realize how they come together to form a beautiful lyrical panoply. My personal favorite pieces are “Chants - To the Light,” “Listen to the Pouring Rain,” and “Au Clair la Lune,” as much for their nostalgic value as for their elegance.

Ammu’s Treasures was created to spread intergenerational love through art (one of the purest kinds of love!). And you do truly feel it after listening to two or three numbers, a magical sensation that envelopes you with joy and warmth. It’s truly wonderful.

I give Ammu’s Treasures 5 out of 5 stars and recommend it for ages 3 to 5 plus adults. Ammu’s Treasures is available now on all major audio vendors.

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With a simple but engaging story and strong casting, Little Heroes is the perfect film to culminate your summer with!

Little Heroes takes place in a small town where four young friends — Robbie (Coleman Christian), Brewster (Max Gerstenberg), Eric (Corban Jazz) and Grace (Ashtine Besteda) — are enjoying their summer break. Brewster’s father works in a factory which gets a contract with the town government. He soon finds out that the factory plans to expand their operations, and as a byproduct, is dumping hazardous chemicals into a lake where his son and his friends swim. The friend group catches wind of this and realizes they must use their wits to find a solution.

The casting of Little Heroes is a high point, as is its production quality. Coleman Christian as Robbie and Max Gerstenberg as Brewster are the stars of the cast; it’s evident they paid attention to even the littlest nuances in playing their characters. Director and producer Brittany Goodwin has taken all the pains to ensure that every audiovisual element of the film is perfectly tuned. The score by Andrei Shulgach comes off a little bit like stock music, but it does suit the film. It's similar with the costumes, which fit the film’s eclectic characters but somehow seem snatched out of a children’s book. My personal favorite is the set design by Jennifer Dopp, Donald Imm and Craig Weaver, and the editing and color-correction by Justin Moe and Cinegach Studios. The town in which Little Heroes takes place looks picture-perfect, and every frame is vibrant. I also enjoyed how the plot came together; sure, it is predictable at some points, but there are other plot points (including a romance!) that come out of nowhere. The script feels a little bit forced and the chemistry between Brewster and his father doesn’t really work for me; their relationship feels unnatural.

Little Heroes promotes teamwork, caring for our environment, and friendship. It also shows that our individual talents are what help us most in times of crisis. It’s a great film for young viewers interested in conservation and those who are fans of realistic fiction. Parents should know that the children do wander around on their own in the film and do risky things like jumping into a biohazardous lake. Also, one character nearly drowns.

I give Little Heroes 4.5 out of 5 stars and recommend it for ages 12 to 18, plus adults. The film releases on October 17, 2023 on demand. https://youtu.be/CTLfASHiQ8Q

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Must-Watch! Eshaan M.'s Honest Review of The Hill. With a hard-hitting cast and beautifully written, evocative script, The Hill surely captured my attention and should appeal to sports, drama and biographical film fans as well.

The Hill is based on the true story of Rickey Hill (Colin Ford, Jesse Berry), a kid from a poor Baptist family in rural Texas. Rickey has big dreams of becoming a baseball superstar and he’s immensely talented at batting, but he must face one problem -- his dad (Dennis Quaid) won’t let him. Even when Rickey seems to have overcome congenital degenerative spinal disease, his father refuses to let him play, and he's intent on molding him into a pastor just like him.

The direction by Jeff Celentano and screenplay by Angelo Pizzo and Scott Marshall Smith come together to bind the story — a riveting narrative of talent torn between passion and family. The set pieces and props, ever the wooden leg braces Rickey wears as a child, are all realistic. The dialogue in The Hill is real and raw, and I especially like how each cast member has convincing Texan accents. Dennis Quaid is an absolute superstar in the film; you’ll want to scream your head off at him sometimes and at other times, you’ll consider where he’s coming from -- though that’s an angle the film doesn’t explore much. I was most taken by Jesse Berry’s portrayal of the young, fiery Rickey; he helms the film’s many tear-jerker moments. It’s certainly a stellar performance by a child actor, especially given the complexity of the role.

The Hill promotes pursuing your dreams with resilience; never saying never; and gaining a better understanding of perspectives different from you. The film contains religious content given Rickey’s upbringing in a strict, conservative Baptist family.

I give The Hill 5 out of 5 stars and recommend it for ages 12 to 18, plus adults. It releases in theaters on August 25, 2023. https://youtu.be/ADdjBsLASAw

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Enjoy Eshaan M.'s Exclusive Interview with baseball legend Rickey Hill and director Jeff Celentano about The Hill, a biopic about Mr. Hill’s life story. Mr. Celentano has directed nine lauded films including Say It in Russian, Breaking Point and Glass Jaw. Mr. Hill was raised in Texas — woohoo! A fellow Texan! — and overcame his physical disability for his talent in baseball, playing in the Major League for the Montreal Expos and later, the Grays Harbor Loggers, champions of the Northwest League in 1978.

With a hard-hitting cast and beautifully written, evocative script, The Hill surely captured my attention and should appeal to sports, drama and biographical film fans as well.

The Hill is based on the true story of Rickey Hill (Colin Ford, Jesse Berry), a kid from a poor Baptist family in rural Texas. Rickey has big dreams of becoming a baseball superstar and he’s immensely talented at batting, but he must face one problem -- his dad (Dennis Quaid) won’t let him. Even when Rickey seems to have overcome congenital degenerative spinal disease, his father refuses to let him play, and he's intent on molding him into a pastor just like him.

The direction by Jeff Celentano and screenplay by Angelo Pizzo and Scott Marshall Smith come together to bind the story — a riveting narrative of talent torn between passion and family. The set pieces and props, ever the wooden leg braces Rickey wears as a child, are all realistic. The dialogue in The Hill is real and raw, and I especially like how each cast member has convincing Texan accents. Dennis Quaid is an absolute superstar in the film; you’ll want to scream your head off at him sometimes and at other times, you’ll consider where he’s coming from -- though that’s an angle the film doesn’t explore much. I was most taken by Jesse Berry’s portrayal of the young, fiery Rickey; he helms the film’s many tear-jerker moments. It’s certainly a stellar performance by a child actor, especially given the complexity of the role.

The Hill promotes pursuing your dreams with resilience; never saying never; and gaining a better understanding of perspectives different from you. The film contains religious content given Rickey’s upbringing in a strict, conservative Baptist family.

I give The Hill 5 out of 5 stars and recommend it for ages 12 to 18, plus adults. It releases in theaters on August 25, 2023. https://youtu.be/jUee8FPZ1PA

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Get Ready to Race: Eshaan M.'s Epic Gran Turismo Review. A scintillating, exhilarating watch, Gran Turismo will hold your attention from start to finish with its well-written script, deep characters, and detailed and immersive graphics.

The film follows Jann Mardenborough (Archie Madekwe), a teen from Cardiff, Wales, who’s obsessed with the video game Gran Turismo. Jann’s family doesn't really understand his passion and worries about him, especially since he dropped out of university because of his dream to be a racecar driver. When Jann is selected as one of 10 kids worldwide to compete in Nissan’s GT Academy for a shot to be a professional racer, he must face tragedies, love, deceit, and so much more on the path to glory.

The cast shines in this film. Archie Madekwe as Jann Mardenborough captures the emotions of a teen with big dreams and the fire inside him to pursue them. He comes across as emotionless in the first few scenes but warms up into his character—by the climax, you’re sure to be rooting for Mardenborough. My other favorite character is David Harbour as Jack Salter, a tough character to play. He’s a typical Hollywood coach, aggressive but a bit jaded because of his previous experience in racing. Over the course of the film, he warms up, which is where Harbour shines; the transformation from a brooding middle-aged has-been to a kind but fiery coach is spellbinding. The screenplay by Jason Hall and Zach Baylin enhances the film massively, as do the cinematography and graphics, as well as the monumental score by Lorne Balfe and Andrew Kawczynski. In every racing scene, you feel like you're in the car with Jann; my jaw was clenched throughout every hairpin turn. When the lights go green at the beginning of every race, the whole theater vibrates with the sound of the engine starting up.

Gran Turismo promotes resilience. Every time Jann fails, Jack Salter (David Harbour), his trainer, pushes him to overcome the failure, get up, dust himself off, and move on to the next race. Interestingly, Salter starts off in the film by not believing in Jann or any of the other kids in the GT Academy. Jann’s performance turns Salter into his most ardent supporter. Herein lies another message: proving your detractors wrong. Salter’s belief in always doing the right thing puts him at odds with Nissan marketing executive Danny Moore (Orlando Bloom), but is another great takeaway. And of course, the core of the film is about achieving your dreams, no matter how unattainable they seem; when fate, fortune, and prowess align, you will find success. Parents should be aware of scenes with slightly foul language, one kissing scene, and one scene where kids drink and hang out in an industrial area and then have to run from the police.

I give Gran Turismo 5 out of 5 stars and recommend it for ages 12 to 18, plus adults. Gran Turismo releases in theaters on August 11, 2023. https://youtu.be/ee02aITF2Rg

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Operation Napoleon Uncovered: Eshaan M.'s Eye-Opening Review, Operation Napoleon is a great film for fans of mysteries and international intrigue. Its interesting plot shines, thanks to stellar cinematography and despite a rough screenplay and sometimes wooden performances from the cast.

Operation Napoleon follows Icelandic lawyer Kristín (Vivian Ólafsdóttir), who is drawn into an international conspiracy and falsely implicated in a murder after her brother finds a Nazi plane atop the Vatnajokull Glacier. Now she must unravel the history behind the conspiracy, codenamed Operation Napoleon by the CIA, and escape U.S. agents tracking her down.

As with many Nordic films, the style of acting in Operation Napoleon is very understated. This does not do the film too many favors when it comes to scenes of life and death, in which the characters struggle to emote and to immerse the viewers in each scene. The editing and cinematography are highlights — sets are believable; the color correction is consistently cold (to do justice to Icelandic winters); and everything looks great. The film doesn’t slow down to breathe too frequently, which helps keep the momentum of the action going. But the screenplay is a mixed bag; the script doesn’t provide enough detail behind many characters’ goals and ambitions, and the story waits until the end to explain the real motive behind Operation Napoleon, in a relatively awkward way. Iain Glen, who plays William Carr, and Olafur Darri, who plays Einar, are the best actors of the lot. Ólafsdóttir and her male lead counterpart Jack Fox (who plays researcher Steve Rush) both come across as one-note characters. Still, the premise of the film is interesting enough to keep you watching.

Operation Napoleon promotes honor and the pursuit of truth.

I give Operation Napoleon 3.5 out of 5 stars and recommend it for ages 12 to 18, plus adults. Operation Napoleon releases in theaters and on demand on August 11, 2023.
https://youtu.be/yfm3_f5gO-c

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Operation Napoleon Unveiled: Exclusive Interview with director Óskar Thór Axelsson by Eshaan M. Born and raised in Reykjavik, Iceland, Mr. Axelsson is best known for the 2012 crime film Black's Game and the 2017 mystery-horror film, Remember You.

Operation Napoleon is a great film for fans of mysteries and international intrigue. Its interesting plot shines, thanks to stellar cinematography and despite a rough screenplay and sometimes wooden performances from the cast.

Operation Napoleon follows Icelandic lawyer Kristín (Vivian Ólafsdóttir), who is drawn into an international conspiracy and falsely implicated in a murder after her brother finds a Nazi plane atop the Vatnajokull Glacier. Now she must unravel the history behind the conspiracy, codenamed Operation Napoleon by the CIA, and escape U.S. agents tracking her down.

As with many Nordic films, the style of acting in Operation Napoleon is very understated. This does not do the film too many favors when it comes to scenes of life and death, in which the characters struggle to emote and to immerse the viewers in each scene. The editing and cinematography are highlights — sets are believable; the color correction is consistently cold (to do justice to Icelandic winters); and everything looks great. The film doesn’t slow down to breathe too frequently, which helps keep the momentum of the action going. But the screenplay is a mixed bag; the script doesn’t provide enough detail behind many characters’ goals and ambitions, and the story waits until the end to explain the real motive behind Operation Napoleon, in a relatively awkward way. Iain Glen, who plays William Carr, and Olafur Darri, who plays Einar, are the best actors of the lot. Ólafsdóttir and her male lead counterpart Jack Fox (who plays researcher Steve Rush) both come across as one-note characters. Still, the premise of the film is interesting enough to keep you watching.

Operation Napoleon promotes honor and the pursuit of truth.

I give Operation Napoleon 3.5 out of 5 stars and recommend it for ages 12 to 18, plus adults. Operation Napoleon releases in theaters and on demand on August 11, 2023.
https://youtu.be/FzIXfJBkXzo

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Eshaan's Expert Review of Dreamin' Wild Will Open Your Mind. With its toe-tapping music and sincere performances, Dreamin’ Wild definitely entertained me and I believe will enrapture pop-rock fans as well as those who have never heard of Donnie and Joe Emerson. The film tells a true story with immense heart. It is shot elegantly and the story is fascinating; the at-times flat narration is the only chink in Dreamin Wild’s armor.

Dreamin’ Wild opens in the rural Pacific Northwest, as singer/songwriter Donnie Emerson (Casey Affleck) and his family, are approached by a representative from Light in the Attic, who says he thinks the album Donnie and his brother Joe (Walton Goggins) recorded as teenagers is the next big hit. When the album, also named Dreamin’ Wild, makes its rounds, it is hailed by music critics as a lost masterpiece. And whereas the brothers see this stroke of luck as a second chance for stardom, it also unmoors other deep-seated emotions, fears, and hopes, as Donnie, Joe, and the family come to terms with the past, present and possible future.

The moving story is shot with clarity, care and craft; the lighting and framing do justice to the Emersons’ bucolic hometown as well as their eclectic and ethereal ‘jam space.’ Casey Affleck has somewhat patented the 'damaged man exploring his trauma’ trope, perhaps because of his real-life experience fending off his demons with alcoholism. That takes nothing away from his deep performance as Donnie in Dreamin’ Wild. His portrayal of emotional damage and hope is enough to keep you gripped. Walton Goggins is equally spectacular. Every dialogue-heavy scene is followed by the brothers jamming, and then another dialogue-heavy scene; this format gets a little tiring by the 60-minute mark, but the plot developments and emotional performances redeem the film’s at-times slow pace.

Dreamin’ Wild encourages following your dreams but staying grounded, being hopeful but never forgetting where you’ve come from, and caring for your family and yourself.

I give Dreamin’ Wild 4 out of 5 stars. Dreamin' Wild will release exclusively in theaters on August 4, 2023.

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Lakota Nation vs. United States educates and entertains with hard-hitting interviews and lyrical narration. It’s an incredible watch for history buffs, especially those looking to learn more about a significant moment in US history.

A chronicle of the Lakota people and their homeland of the Black Hills, Lakota Nation vs. United States traces the journey of a marginalized people. It starts with the Indian Wars of the 1800s, describes how sacred land was stolen in violation of treaty agreements. It progresses through the centuries all the way to today, as people protest a most ironic shrine to white supremacy, Mount Rushmore, and continue to call for the recognition of their tribal rights.

The film is unique for a variety of reasons. First, it's co-directed by Jesse Short Bull — an Oglala Lakota man — and Laura Tomaselli, one of the few times in mass media we see Native Americans telling their stories. It is a wonderful touch that provides the whole film with a spirit of warmth and respect. The film is written and narrated by acclaimed Oglala poet Layli Long Soldier, and its narration will be the first thing to strike you in Lakota Nation vs. United States. The rhythmic refrain of "X marks the spot," the soft, dignified, yet strong voice of Long Soldier, and the emotional roller-coaster of the story are truly mesmerizing. Tomaselli also serves as the editor of the film, and she, along with cinematographer Kevin Phillips use a wealth of archival and modern footage and rousing interviews with activists and leaders to tell this beautiful story of a land and a people who have survived exploitation, forced migration, and genocide, and who still wait for justice to come.

Lakota Nation vs. United States promotes resilience, valuing culture, standing up to oppression, and honoring history. The Lakota provide us with so many lessons from which to learn and grow into better versions of ourselves.

I give Lakota Nation vs. United States 5 out of 5 stars, and recommend it for ages 12 to 18 plus adults. It releases July 21, 2023 in select markets and will roll out later to other locations.

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Enjoy Eshaan M.'s review of The League. The League is an intriguing sports film documenting the camaraderie and competition embedded in the evolution of the Negro leagues. Despite its mix of newly unearthed interviews, carefully chosen music, and crisp and clear b-roll, the film falls short of a home run due to its slightly sluggish pace.

The League uses Black baseball as a lens to view the US pre-, post-, and during integration. An economic and social pillar of Black communities and a stage for some of the greatest athletes to ever play the game, The League also explores many unintended consequences of integration. It’s a story of trials and tribulations, but also rousing victories.

The film offers a portrait of a community that weathered discrimination and marginalization and used a common passion — the sport of baseball — to shape their community in a time of new rights and a more integrated society. A jazz fan and lifelong film student himself, director Sam Pollard effectively sews together never-before-seen interview footage, historically rooted jazz tunes and a clear, if at times circuitous, narrative in The League. At times, the film loses itself in descriptions of individual players and it becomes hard to maintain the big-picture view of the Negro leagues. However, the crisp visuals and voiceovers – one by Pollard himself, of the late Negro league umpire, author and US marine, Bob Motley.

The League promotes resilience through a mix of self-reliance, resourcefulness and teamwork.

I give The League 3.5 out of 5 stars and recommend it for ages 12 to 18, plus adults. The League releases exclusively in AMC Theaters on July 7, 2023.

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Enjoy Eshaan M.'s interview with Emmy and Peabody Award winner and Academy Award nominated director Sam Pollard about his latest film, The League. Mr. Pollard is known for Mr. Soul, Sammy Davis, Jr.: I’ve Gotta Be Me and MLK/FBI. Most recently, he directed the documentary, The League, releasing July 7 from Magnolia Pictures. The League celebrates the journey of the successes and challenges of Negro League baseball.

The League is an intriguing sports film documenting the camaraderie and competition embedded in the evolution of the Negro leagues. Despite its mix of newly unearthed interviews, carefully chosen music, and crisp and clear b-roll, the film falls short of a home run due to its slightly sluggish pace.

The League uses Black baseball as a lens to view the US pre-, post-, and during integration. An economic and social pillar of Black communities and a stage for some of the greatest athletes to ever play the game, The League also explores many unintended consequences of integration. It’s a story of trials and tribulations, but also rousing victories.

The film offers a portrait of a community that weathered discrimination and marginalization and used a common passion — the sport of baseball — to shape their community in a time of new rights and a more integrated society. A jazz fan and lifelong film student himself, director Sam Pollard effectively sews together never-before-seen interview footage, historically rooted jazz tunes and a clear, if at times circuitous, narrative in The League. At times, the film loses itself in descriptions of individual players and it becomes hard to maintain the big-picture view of the Negro leagues. However, the crisp visuals and voiceovers – one by Pollard himself, of the late Negro league umpire, author and US marine, Bob Motley.

The League promotes resilience through a mix of self-reliance, resourcefulness and teamwork.

I give The League 3.5 out of 5 stars and recommend it for ages 12 to 18, plus adults. The League releases exclusively in AMC Theaters on July 7, 2023. https://youtu.be/sNorbLnJHoE

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Enjoy Eshaan M.'s review of On a Wing and a Prayer. On a Wing and a Prayer, based on a true story, will put you on the edge of your seat throughout its duration, with a compelling plot and sincere performances by Dennis Quaid and Heather Graham. It’s a film for aviation geeks and thriller fans, as well as general audiences. My only advice: don’t watch this before you get on a flight!

On a Wing and a Prayer follows the story of Doug Smith (Dennis Quaid), a Louisiana pharmacist. On a family getaway, Smith hears of the death of his brother, a pilot, and is shattered to the point of questioning his faith in God. He is put to the test when, after the memorial services and as the Smiths are on their way home, the pilot of their private plane dies mid-air. Doug must pilot the plane to a safe landing and save his family from what seems like impending death, combating medical emergencies and a tropical depression….oh, and did I mention Smith has never flown for more than an hour before?

The cast of On Wing and a Prayer dazzles. Dennis Quaid plays Doug Smith with conviction and honesty. In one of Quaid’s more serious performances (I don’t think he flashed his famous grin even once during the film), he takes on a paternal role that will have you spellbound. What I especially like about Quaid’s character is how unapologetically clueless he is at times; the film shows that even the “macho man” can be rendered helpless in an unfamiliar environment and stressful circumstances. But he never gives up. Heather Graham, who plays Smith’s wife, acts as the consummate copilot, remaining strong and supportive throughout the film. I never saw Graham as an actress made for maternal roles, but there’s something uniquely warm about her portrayal in On a Wing and a Prayer. A good portion of the film is shot in the cockpit of a King Air plane, and the versatility of shots used is understandably limited. This leads to parts of the film not feeling as visually stimulating as they could: you’re staring at a medium closeup of Smith and his wife for forty minutes. In On a Wing and a Prayer, two kids enthusiastic about aviation track the progress of Smith’s flight, even biking to the runway to watch him land. This angle feels unnecessary in the film and leads to some confusion. On a Wing and a Prayer is certainly a dialogue-heavy film; the actors’ lines are what carry it. Still, the music could have been better utilized to accentuate the tension of the situation.

On a Wing and a Prayer promotes perseverance when times get tough. The film assures viewers, especially those who feel like all’s lost, that they have people in their corner who will support them at all costs, in the same way that the Florida air traffic control metaphorically held Doug’s hand throughout the whole harrowing experience. In terms of parental advisories, there are mentions of death, and Smith’s daughter suffers a violent allergic reaction onboard the plane. If you’re afraid of planes or of flying, this also might not be the best film for you.

I give On a Wing and a Prayer 4 out of 5 stars and recommend it for ages 12 to 18, plus adults. On a Wing and a Prayer is available on Prime Video on April 7, 2023.

https://youtu.be/0MuqJ71dng0

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Enjoy Eshaan M.'s interview with Jesse Metcalfe about On a Wing and a Prayer. Mr. Metcalfe is known for his portrayal of John Rowland on Desperate Housewives plus notable roles in Passions and the title role in John Tucker Must Die. In On a Wing and a Prayer, Metcalfe plays Cory, a Connecticut pilot who provides flying instructions over the phone from Connecticut and directs the main character, Doug White, to a safe landing.

On a Wing and a Prayer follows the story of Doug Smith (Dennis Quaid), a Louisiana pharmacist. On a family getaway, Smith hears of the death of his brother, a pilot, and is shattered to the point of questioning his faith in God. He is put to the test when, after the memorial services and as the Smiths are on their way home, the pilot of their private plane dies mid-air. Doug must pilot the plane to a safe landing and save his family from what seems like impending death, combating medical emergencies and a tropical depression….oh, and did I mention Smith has never flown for more than an hour before?

I give On a Wing and a Prayer 4 out of 5 stars and recommend it for ages 12 to 18, plus adults. On a Wing and a Prayer is available on Prime Video on April 7, 2023. https://youtu.be/v5N75aE6pqw

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Enjoy Eshaan M.'s review of Tomorrow's Hope. A film that will fill you with positivity and gratitude and inspire you to tackle all your challenges with tenacity, Tomorrow’s Hope is a wonderful experience for viewers of all ages.

Tomorrow’s Hope tells the story of three high school seniors who all started their academic journeys as the first class of the Educare Early Education Center. Educare is one of the few early education centers in the violence-ridden South Side of Chicago. The organization's journey from “The Beethoven Project,” located in the projects, to a pile of rubble, and now to one of the most successful early education programs, preparing kids for a future of success, is documented with a clear-cut narrative structure.

Every individual interviewed for this film speaks their heart and tells their story in the raw, real manner it was meant to be told. Their stories, the light and dark moments alike, carry great weight and truly make the film what it is. The interviews in the film do not just touch your heart but also educate you about a reality many might not know: the story of “Forgotonia,” the moniker given to the Chicago projects as they underwent gentrification, and the people of the South Side. The film represents black voices well, as most, if not all, of the characters, are African-American. The individual interviews are stitched together with ample historical and live b-roll to form a concise but detailed 45-minute story. I especially love how Jacqueline, who works at Educare, and the spotlighted seniors interact in the shots together; their attachment to and warmth toward one another is palpable.

Tomorrow’s Hope promotes keeping your hopes up and persevering even against broken promises and catastrophes. Each of the subjects of the film has seen gun violence or gang violence take away those closest to them—it’s clear that it would be easy to fall into these traps. But they kept at it; all three went to college and made their families proud. As far as parental advisories go, there are mentions of death and violence. Produced by The Saul Zaentz Charitable Foundation

I give Tomorrow’s Hope 5 out of 5 stars and recommend it for ages 12 to 18, plus adults. Tomorrow’s Hope is available on VOD and digital beginning March 21, 2023. https://youtu.be/eAd80QlZfAc

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Enjoy Eshaan M.'s interview with Thomas A. Morgan about Tomorrow's Hope, a film following the journey of passionate educators on the South Side of Chicago. Mr. Morgan is an award-winning director and producer, known for his films Soufra and Waiting for Mamu. Additionally Morgan was the executive producer for India's Daughter, a Peabody award winner and Silenced, an Emmy-nominated film.

A film that will fill you with positivity and gratitude and inspire you to tackle all your challenges with tenacity, Tomorrow’s Hope is a wonderful experience for viewers of all ages.

Tomorrow’s Hope tells the story of three high school seniors who all started their academic journeys as the first class of the Educare Early Education Center. Educare is one of the few early education centers in the violence-ridden South Side of Chicago. The organization's journey from “The Beethoven Project,” located in the projects, to a pile of rubble, and now to one of the most successful early education programs, preparing kids for a future of success, is documented with a clear-cut narrative structure.

Every individual interviewed for this film speaks their heart and tells their story in the raw, real manner it was meant to be told. Their stories, the light and dark moments alike, carry great weight and truly make the film what it is. The interviews in the film do not just touch your heart but also educate you about a reality many might not know: the story of “Forgotonia,” the moniker given to the Chicago projects as they underwent gentrification, and the people of the South Side. The film represents black voices well, as most, if not all, of the characters, are African-American. The individual interviews are stitched together with ample historical and live b-roll to form a concise but detailed 45-minute story. I especially love how Jacqueline, who works at Educare, and the spotlighted seniors interact in the shots together; their attachment to and warmth toward one another is palpable.

Tomorrow’s Hope promotes keeping your hopes up and persevering even against broken promises and catastrophes. Each of the subjects of the film has seen gun violence or gang violence take away those closest to them—it’s clear that it would be easy to fall into these traps. But they kept at it; all three went to college and made their families proud. As far as parental advisories go, there are mentions of death and violence. Produced by The Saul Zaentz Charitable Foundation.

I give Tomorrow’s Hope 5 out of 5 stars and recommend it for ages 12 to 18, plus adults. Tomorrow’s Hope is available on VOD and digital beginning March 21, 2023. https://youtu.be/ch9o9F4O-fk

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Enjoy Eshaan M.'s review of Crouching Tiger, Hidden Dragon. Crouching Tiger, Hidden Dragon is the consummate Chinese martial arts, or “wuxia” film, full of suspense, beautifully-choreographed fight scenes, and superb sets, all delivered against the intricate backdrop of ancient China. The 2000 film ages like fine wine — viewers will love this classic by Taiwanese director Ang Lee.

Crouching Tiger, Hidden Dragon is set in Qing dynasty China. A warrior named Li Mu Bai (Chow Yun-Fat) gives his sword, Green Destiny, to his lover and fellow warrior, Yu Shu Lien (Michelle Yeoh) to keep safe. The sword is stolen, and the chase is on to find it. The search leads to the House of Yu, where the story takes a turn.

Crouching Tiger, Hidden Dragon is more than just a martial arts film. It has a deep love story and powerful thematic depth rarely seen in the martial arts genre. The electrifying combat scenes, choreographed by a team of experts and synthesized by director Ang Lee, only augment the intensity of each scene. The film’s writing is stellar as well. Every single character is given ample time to develop (the pace can even seem a little slow to some); and viewers get a glimpse into their hearts. And of course, the whole cast performs their roles with subtlety and grace. Yeoh’s dialogue delivery and emoting power and Chow Yun Fat’s sincerity as Li Mu Bai stand out; they truly steal the show.

Crouching Tiger, Hidden Dragon is all about hidden possibility and strength. It also comments on the status of women in society, as those who are not warriors must lead restrictive lives and long for the freedom of Yu Shu Lien. On another note, the title of the film Crouching Tiger, Hidden Dragon refers to Chinese mythology and a proverb about hiding your strength from others and then surprising them with your abilities when the time is right.

I give Crouching Tiger, Hidden Dragon 5 out of 5 stars and recommend it for ages 12 to 18, plus adults. Crouching Tiger, Hidden Dragon is returning t the big screen February 17 for a limited time in the U.S. and Canada. https://youtu.be/QWl8q54UqG4

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Enjoy Eshaan M.'s review of Nuisance Bear. Nuisance Bear has glorious cinematography and superb storytelling that drive home its important message of peaceful coexistence with nature. It’s a terrific film for all those who love the great outdoors, as well as for budding filmmakers.

Nuisance Bear follows a polar bear migrating across the town of Churchill in the Canadian province of Manitoba. People congregate to take pictures and videos, and the bear begins to clash with the locals. That is when the bear’s journey takes a dramatic turn, and “nuisance bear” removal forces enter the scene.

Nuisance Bear is a documentarian’s documentary. With no voiceover or speaking at all, the New Yorker team behind the film lets the images and captured video do the talking. And it’s supremely effective. I especially love the way the wildlife forces’ pickup truck is shot like it's the predator, not the bear; it approaches menacingly with high beams on and then veers to the side as the bear makes its escape. It’s absolutely scintillating. In many scenes, there isn’t even any background music, so all you hear is the soft stepping of the bear and the rumbling engines of the wildlife forces. Hat’s off to directors Jack Weisman and Gabriela Osio Vanden for creating such a masterful piece of visual storytelling.

Nuisance Bear promotes respecting nature and ensuring you don’t disrupt other beings endemic to your area. The film helps us realize that people are the real nuisance, not the bears.

I give Nuisance Bear 5 out of 5 stars and recommend it for ages 12 to 18 plus adults. The film is available to watch on the New Yorker YouTube channel now.

https://youtu.be/2S_OCtvFDYs

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